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ng theeighteeween1709and1720, bartolooadea``clavierhe perforrtoplaybothloudlyandsoftlyorasitwassaidin italian,``pianoand``forte.thisinstruain gesbecaour``pianoforteorpiano. thenforthefirsttithe instruntasteredinaupleofyears anddidheetealtuningofharpsandfiddlesand uediaevaltubas,claris, troonesandoboes.justasthephonographhasgiven llionsofdepeopletheirfirstloveofsicsodidthe early``pianoforteuch epartoftheeducationofeverywell brednandan.prindrichrtsintained privateorchestras.thesiceasedtobeawandering ``jongleuray. siancesof thetheatreandoutofthisprae,greodeopera. inallyonlyafeheexpenses ofan``operatroupe.butasthetasteforthissortof eainntgreanycitiesbuilttheiroheatreswhere italianandafteranoperasited joyofthenityhtheexceptionofafew sectsofverystrihristiansusich deepsuspiethingoolovelytobeentirely goodforthesoul. bytheddleoftheeighteeurythesicallife ofeuropeeforwarda npleanistofthe thoseofjohaian ba ioststatelyofsacred hysandoratorios,helaidthefoundationforallourde sic.heyear1750heceededby zart,usisofsheerlovelinessh rendusoflacethathasbeenonyand rhyththen ofn,odeorchestra,yetheardnoneof hisgreatestpositionsbecauseheheresultofa ldntractedduringhisyearsofpoverty. beethovehroughtheperiodofthegreatfrench revolution.fullofhopeforanewandgloriousday,hehad dediphoonapoleon.buthelived tretthehour.heyear1827,napoleon enginehadeandhehasoundthat hadnothinginnsofthethirdsyhony. iheneandironandalandlarge factorieshadlittleuseforart,forpaintingandsculptureand poetryandsic.theoldprotectorsofthearts,theh andthepriniddleagesandthe sevehaeeuriesnoloed.the leadersofthenerialoobusyandhadtoo littleeducationtobotheraboutetgsandsonatasandbits ofehose things,andnity ...
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