第97节 (第2/2页)

fferentans.itshoain

    enoofterial,rkedbythenyblankspaces,anideaofposition

    deternedbyitsoonyandrkedbyacertain”rhythcvitalityanda

    boldnessandfreedofthebrushpresstheonlookerinanunfettable

    nner.sohohepicturebeforeushasundergoneaninnerprocessof

    transfortioniistsnd,shoofitsirrelevasdisharnies,and

    givingusonlyapletelysatisfying

    it.thedesignisreobvious,theelinationofterialrerigidlycarriedout,

    thepointsofntrastarationeasiertotradhatthe

    artisthasinterferedaterialrealityaedittousonlyasitappearsto

    hihoutlosingitsessentiallikenessorintelligibilitytoothers.itissubjective

    odeepainting,and

    nn.itoachievea

    decidedlysubjectiveappearahingsakingntortions.itdoesnottry

    topaintallbeforeoneseyes,anditleavesagreatdealtotheonlination,

    etriesthendiateobjebranchisgiveninthe

    ureahereasperfedyet,hallthissubjectiveinterference

    aterialreality,theeffeotajarringassertionoftheartistsego,buta

    pleteharnyhnature.hohisachieved,andhohispeculiat

    traditiongrowup

    thisartistictraditiondidnotebytaldisvery.its

    dup,ithink,inthe,

    andthislyrianspiritandculture.forust

    reerthatesepaintingiscloselyrelated,inspiritandteique,toese

    calligraphyandesepoetry.calligraphygaveititsteique,theinitialt

    isfuturedevelopnt,andesepoetrylentititsspiritfor

    poetry,paintingandcalligraphyarecloselyrelatedartsina.thebestwayof

    uandingesepaintingistostudytheseinflueothe

    buildingofthatpeculiartradition.

    brieflystated,thispeculiartradition,,istheresultof

    todeepaintingisgoingthrough,butetothe

    historyofesepaintingihtury.theyaretherevoltagainstthe

    subjeoftheartistslihepaintedobjects,andtherevoltagainsta

    photographiaterialreality.esecalligraphyhelpeditto

    solvethefirstprobleandesepoetryhelpeditoverthesend.astudyofthese

    revoltsandofthegenesisofthisartistictraditionoseehinese

    paintingcatohaveitspresentter.

    thefirstproblefese

    ...