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ent, andverylovelyladiesajesty. thegreatgeinpainting,eabouththe oftheoldchurdtheriseofaney, sofart.theiionofprinting haddeitpossibleforauthorstoeaation byultitudes.inthiswayarose theprofessionoftheandtheillustrator.butthe peopleoneyenoughtobuythene thesorteofnights,lookingattheceiling orjustsitting.theyused.thefeinstrels oftheddleagesandfor eainnt.forthefirsttisiheearlygreekcity statesofthousandyearsbefore,theprofessionalplay hadaiddleageshad knoerelyaspartofhurelebrations. thetragediesofthethirteenthandfourteeuries hadtoldthestoryofthesufferingofourlord.but durieeurytheadeits reappearaistruethat,atfirst,thepositionofthe professionalplayandactoraveryhighone. shakespeareofusfellow usedhisneighboursedies. butheyear1616hehadbeguntoenjoythe respectofhisneighboursandactorss ofpolicesupervision. snteorary,lopedevega,theincredible spaniardehan1800worldlyand4ious plays,hepapalapproval uponhisan, edpanionshipofnoneless thankinglouisxiv. siheheatrehasenjoyedaneverincreasing affeoofthepeople.todaya``theatreispart ofeveryaofthe vieshasperatedtothetiofourprairiehaets. a,hoethestpopularof all.thatusisdendeda greatdealofteicalskill.ittakesyearsandyearsofprae beforeourandsof thebrainandreproduarble. ittakesalifetitoleahooactorhooeagood novel.andittakesagreatdealoftrainingoofthe publiiatethebestinpaintingandingand sculpture.butalstaeonedeaf, folloosteverybodyentoutof sosortofsic.theddleageshadheardalittlesic butithadbeeirelythesiftheh.theholy tsandharny andsoonthesebeotonous.besides,theyuldnot arketplace. therenaissane intoitsoan,bothinhishappinessand inhissorrows. theegyptiansandthebabyloniansandtheajews hadallbeeloversofsic.theyhadevenbined differentinstruntsintularorchestras.butthegreeks hadfrohisbarbaricfnheylikedto hearanreerandpindar. they ...
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